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Showing posts with label 90's. Show all posts
Showing posts with label 90's. Show all posts

4.01.2011

Friday's End Note: A Bay Area Original - Not Just a One-Hit Wonder

Third Eye Blind

Genre: Alternative

I wish you would step back from that ledge my friend/Cut ties with all the lies that you've been living in/And if you do not want to see me again/I would understaaa-aaaa-aaaand

These lyrics from "Jumper" (sung just as typed, and usually horribly) are the first thing most people think of when they hear the name Third Eye Blind. What an unfortunate mistake.

Along with "Semi-Charmed Life," the first single off their self-titled debut album, this is all a lot of people know or care to know about Third Eye Blind, a band that many dub a 90's one-hit wonder band in the vein of Everclear or Marcy Playground. In reality, they may have been more of a one-album wonder, with their proceeding albums receiving very little mainstream success. Again, I say this is unfortunate. I do so because Third Eye Blind has released some of the most honest work of the last decade and a half. Their lyrics are simple, not cryptic; their music instantly evoking emotion.

The following are what I consider to be the single best songs from each of TEB's four LPs:

"Motorcycle Drive-By" off Third Eye Blind (1997)




This heart-on-your-sleeve account of the crumbling of a relationship and the subsequent bittersweet feelings of lonely freedom crescendo to a catharsis that is unmatched in many so-called "emo" songs of the punk persuasion. The song ends on a quiet, tender note, returning to the sadness that is expressed at the beginning.


"Slow Motion" off Blue (1999)




Originally released in the US as an instrumental track only because of worries about its lyrical content, "Slow Motion" is a searing social satire of the movie-of-the-week treatment given to murderers by the media so readily during the 90's. Some of lead singer, Stephan Jenkins', lyrics can be taken as harsh, but as a work of art, they really make a great point.

"Blinded" off Out of the Vein (2003)




"Blinded" is a song with an absolutely irresistible level of energy. There's nothing overly complicated here musically; it's really one of TEB's poppier songs. But the sentiment in the lyrics is so genuine and speaks to the experience of attempting to operate on a platonic level with a former love in such a unique way that it becomes a standout track.

"Monotov's Private Opera" off Ursa Major (2009)


This track discusses that feeling as we get older of sorting out where we are, how we got there, and what it all means. It also showcases TEB's origin as a San Francisco band. The song has a laid-back, somewhat contemplative vibe to it, capturing the ethereal quality of the Northern California coast that is reflected so pervasively throughout the Bay Area.

-JB

3.18.2011

Friday's End Note: A Bay Area Original - Then and Now

Hey. I'm Jason.

What you're reading will be my first post on this fantastic music blog that David started a couple of weeks ago. It will cover a vast, eclectic range of all things musically brilliant. I think it's really going places and I hope everyone is onboard :)

I thought it would be a good idea for my first post to establish my musical tastes and cultural standpoint much as David did with his first post in which he listed his favorite songs from every artist he's ever listened to. Now, seeing as I don't have anywhere near his level of patience or discipline I have decided rather to spotlight a band that crashed onto the scene during my very early childhood years, matured with me as I grew into adolescence and adulthood, and also hail from the same part of the U.S. as I do, the beautiful and unique San Francisco Bay Area.


AFI


Genre: Hardcore -> Post-Hardcore -> Alternative

Origin: Formed in Ukiah, California, gained notoriety in Berkeley, California

Standing for "A Fire Inside" (though originally "Asking for It" or alternatively "Anthems for Insubordinates"), AFI has been pushing the punk scene forward since the early 90's. Their early work, along with the efforts of their friends in the band Tiger Army, defined the Bay Area hardcore scene. Their 1996 album, Very Proud of Ya, is filled with quintessential examples of what hardcore is all about: short, fast, unwaveringly aggressive blasts of repetitive instrumentation accompanied by screaming gang vocals courtesy of lead singer, Davey Havok.

AFI - "File 13" off Very Proud of Ya




1999 signaled a change of the guard for AFI. They recruited a new guitarist named Jade Puget. It is my personal opinion that Puget is one of the most under-appreciated guitarists of the past decade. Puget's moody and understated plucking and equally harmonious searing riffs and solo shredding brought in the age of gothic AFI. This new dark strain permeated it's way into many of the up and coming "emo" bands of the early 2000's such as My Chemical Romance and The Used.

AFI - "Silver and Cold" off Sing the Sorrow

AFI - "Summer Shudder" off DECEMBERUNDERGROUND




Crash Love, AFI's latest release (2009), seems to suggest a slight step back from punk, showcasing a focus on a more alternative sound. The album also features less esoteric lyrics which were a standby of their three gothic-phase albums. This has helped to make it more accessible to new fans who may not have been into Havok's wildly poetic writing style in previous efforts. This maturing sound has had an influence on the scene as punk bands such as Sum-41 and New Found Glory take a turn for the serious as well.

AFI - "Darling, I Want to Destroy You" off Crash Love


-JB